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incidentalcomics:

Just a reminder to play Haruki Murakami Bingo today - “Colorless Tsukuru Tazaki and His Years of Pilgrimage” is out in the US! 

The bingo board photos and handmade pieces are courtesy of Los Angeles-based painter (and Murakami/Incidental Comics reader) Hunter Nesbitt. Thanks Hunter!

thouartadeadthing:

Isamu Noguchi (野口 勇, 1904-1988) , Sculpture to be Seen From Mars, 1947.

thouartadeadthing:

Isamu Noguchi (野口 勇, 1904-1988) , Sculpture to be Seen From Mars, 1947.

(via floresenelatico)

amarilloo:

caseylalonde:

ponderpretties:

The Deer God is a breathtaking 3d pixel art game that will challenge your religion and your platforming skills.”

You play as a stag, it has pretty music and everything is so so pretty.
This game is beautiful and you should pledge on its kickstarter- it has only a month remaining!

Correction - 7 Days. 5k from goal.

$3,500 to go in a week!

(via aitorierana)

scriberia:

Colombia
René Higuita, Columbia’s goalkeeper, was known as ‘El Loco’ (‘The Madman’); he was famous for his ‘Scorpion kick’ – enough to give any coach a heart attack!

scriberia:

Colombia

René Higuita, Columbia’s goalkeeper, was known as ‘El Loco’ (‘The Madman’); he was famous for his ‘Scorpion kick’ – enough to give any coach a heart attack!

burninggreen:

myownsundays:

briderbigny:

hadtoomuchtodreamlastnight:

sorry tumblr

Too high for this shit

Not even high and this shit is bananas

holy shit

burninggreen:

myownsundays:

briderbigny:

hadtoomuchtodreamlastnight:

sorry tumblr

Too high for this shit

Not even high and this shit is bananas

holy shit

(Source: giantgagofficial, via superarchitects)

Tim Taylor - Domestic Erosion, 2003

(Source: gallowhill, via floresenelatico)

austinkleon:

Ad Reinhardt, How to Look: Art Comics

I wrote in 2011: “It frustrates me to no end that there isn’t an easily available collection of Reinhardt’s cartoons. They’re so brilliant.”

And lo’ and behold! Now there’s a collection. More about ‘em:

…long before Roy Lichtenstein and Robert Rauschenberg took shots at the high-mindedness of the postwar American avant-garde, Ad Reinhardt (1913-67) was blasting away from a privileged vantage in the middle of the fray. A wise-cracking contrarian whose penchant for dialectics would not allow him to hold any position he could not later undermine, he was a consummate art-world insider and a fierce defender of abstract painting. At the same time, his ingrained populism made him suspicious of the rhetoric and institutional power brokering that supports any art elite.

His visual and verbal assaults took their most lasting form in a series of cartoons and satires, done mainly for the liberal New York newspaper PM in the late 1940’s and for ArtNews in the early 1950’s…

The critic Thomas Hess wrote in a booklet for the 1975 edition that Reinhardt’s lampoons are ”like precious containers of the air of New York, 1946-61.” They are also like core samples from the artist’s brain, revealing a side of his personality not apparent in his canvases. Using cutouts from 19th-century illustrated books and periodicals, as well as line drawings and hand-drawn dialogue balloons, he concocted a style in which the surrealism of J. J. Grandville and Max Ernst was inflected with a tough Queens accent.

One of his recurring panels shows a stick figure pointing at a canvas of crisscrossed lines and asking, ”What does this represent?” The indignant painting, having grown eyes, a mouth, arms and legs, punches him in the jaw and answers with an even more aggressively New York question, ”What do you represent?’”

In the 16-panel ”How to Look at Art-Talk,” from 1946, he continues the question-answer format. ”Isn’t abstract art ‘just a design,’ just ‘composition,’ just an empty bucket into which one can drop some subject matter?” asks a young woman wearing a blindfold. To which her companion answers bluntly, ”No.”

Really beautifully produced book.

(via turnercris)

ineedaguide:

cloned motion gifs by erdal inci

(via superarchitects)

incidentalcomics:

Just a reminder to play Haruki Murakami Bingo today - “Colorless Tsukuru Tazaki and His Years of Pilgrimage” is out in the US! 

The bingo board photos and handmade pieces are courtesy of Los Angeles-based painter (and Murakami/Incidental Comics reader) Hunter Nesbitt. Thanks Hunter!

thouartadeadthing:

Isamu Noguchi (野口 勇, 1904-1988) , Sculpture to be Seen From Mars, 1947.

thouartadeadthing:

Isamu Noguchi (野口 勇, 1904-1988) , Sculpture to be Seen From Mars, 1947.

(via floresenelatico)

amarilloo:

caseylalonde:

ponderpretties:

The Deer God is a breathtaking 3d pixel art game that will challenge your religion and your platforming skills.”

You play as a stag, it has pretty music and everything is so so pretty.
This game is beautiful and you should pledge on its kickstarter- it has only a month remaining!

Correction - 7 Days. 5k from goal.

$3,500 to go in a week!

(via aitorierana)

scriberia:

Colombia
René Higuita, Columbia’s goalkeeper, was known as ‘El Loco’ (‘The Madman’); he was famous for his ‘Scorpion kick’ – enough to give any coach a heart attack!

scriberia:

Colombia

René Higuita, Columbia’s goalkeeper, was known as ‘El Loco’ (‘The Madman’); he was famous for his ‘Scorpion kick’ – enough to give any coach a heart attack!

burninggreen:

myownsundays:

briderbigny:

hadtoomuchtodreamlastnight:

sorry tumblr

Too high for this shit

Not even high and this shit is bananas

holy shit

burninggreen:

myownsundays:

briderbigny:

hadtoomuchtodreamlastnight:

sorry tumblr

Too high for this shit

Not even high and this shit is bananas

holy shit

(Source: giantgagofficial, via superarchitects)

Tim Taylor - Domestic Erosion, 2003

(Source: gallowhill, via floresenelatico)

austinkleon:

Ad Reinhardt, How to Look: Art Comics

I wrote in 2011: “It frustrates me to no end that there isn’t an easily available collection of Reinhardt’s cartoons. They’re so brilliant.”

And lo’ and behold! Now there’s a collection. More about ‘em:

…long before Roy Lichtenstein and Robert Rauschenberg took shots at the high-mindedness of the postwar American avant-garde, Ad Reinhardt (1913-67) was blasting away from a privileged vantage in the middle of the fray. A wise-cracking contrarian whose penchant for dialectics would not allow him to hold any position he could not later undermine, he was a consummate art-world insider and a fierce defender of abstract painting. At the same time, his ingrained populism made him suspicious of the rhetoric and institutional power brokering that supports any art elite.

His visual and verbal assaults took their most lasting form in a series of cartoons and satires, done mainly for the liberal New York newspaper PM in the late 1940’s and for ArtNews in the early 1950’s…

The critic Thomas Hess wrote in a booklet for the 1975 edition that Reinhardt’s lampoons are ”like precious containers of the air of New York, 1946-61.” They are also like core samples from the artist’s brain, revealing a side of his personality not apparent in his canvases. Using cutouts from 19th-century illustrated books and periodicals, as well as line drawings and hand-drawn dialogue balloons, he concocted a style in which the surrealism of J. J. Grandville and Max Ernst was inflected with a tough Queens accent.

One of his recurring panels shows a stick figure pointing at a canvas of crisscrossed lines and asking, ”What does this represent?” The indignant painting, having grown eyes, a mouth, arms and legs, punches him in the jaw and answers with an even more aggressively New York question, ”What do you represent?’”

In the 16-panel ”How to Look at Art-Talk,” from 1946, he continues the question-answer format. ”Isn’t abstract art ‘just a design,’ just ‘composition,’ just an empty bucket into which one can drop some subject matter?” asks a young woman wearing a blindfold. To which her companion answers bluntly, ”No.”

Really beautifully produced book.

(via turnercris)

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